The Squall, Issue Five – Ground

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The Squall supports freelance writers during the Covid-19 crisis. For it to continue supporting this community we need people to buy the magazine every month. We recommend £3, but if that’s a stretch or, conversely, if you can afford more, then whatever’s possible is very welcome. You can pay directly into The Squall's bank account (sort code 40-05-17 and account number 71515942) or via PayPal at paypal.me/thesquall. Thank you to those of you who have already donated. Your contributions have certainly helped!


Here it is! Issue Five of The Squall. Our theme this time is ‘Ground’.

Jonathan Wilson writes on how vacant lots overcame the playing fields, Harry Robinson unpacks the highest derby in the world – in La Paz, Bolivia and Jessy Parker Humphreys explores how the pitch at Stamford Bridge has been protected from the developers. There’s much more including Blackpool, West Brom, Putin and Iceland too.

Read Issue Five today for a recommended donation of just £3 – if that’s a stretch then pay what you can afford; conversely, if you can afford more, then every extra penny is welcome.

All donations are a massive contribution towards helping The Squall continue, and thereby providing an extra economic and creative freelance opportunity. We hope you enjoy this fourth issue, and thanks again for your continued support.

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Read Issue One, Issue Two, Issue Three and Issue Four of The Squall.

Learn more about the birth of The Squall.

We are very grateful to all of the people who have waived fees and donated to The Squall since we announced the project. Special thanks go to: Nick Ames, Philippe Auclair, John Brewin, James Corbett, Martin da Cruz, Miguel Delaney, Andrew Downie, Ken Early, Emmet Gates, John Harding, Simon Hart, Gary Hartley, Frank Heinen, Neil Jensen, Samindra Kunti, Simon Mills, James Montague, David Owen, MM Owen, Simone Pierotti, Jack Pitt-Brooke, Callum Rice-Coates, Philip Ross, Paul Simpson, Jon Spurling, Seb Stafford-Bloor, Ed Sugden, Jonathan Wilson and Suzy Wrack. And huge thanks to Getty Images, for use of the photos.

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